In truth La Chinoise was not such a radical step for Godard. He had long since abandoned narrative cinema in favour of a loose Brechtian essay form. Pierrot le fou (1965), Masculin, feminine (1966), and Two or Three Things I Know About Her (1967), had all been steps on the road towards a new ideal.
La Chinoise concerns the activities of five leftist student radicals who are struggling to clarify and advance their revolutionary aims. The title refers to the emerging split at that time between Russian Marxist-Leninism and Chinese Maoism that was accentuated by the recent (May 1966) launching of the Chinese Cultural Revolution.
Immediately download the La Chinoise summary, chapter-by-chapter analysis, book notes, essays, quotes, character descriptions, lesson plans, and more - everything you need for studying or teaching La Chinoise.Godard’s La Chinoise (1967) presents the story of the “Aden Arabia” collective, a group of five students from the University of Nanterre who have borrowed an apartment for the summer as a space where they can co-habitate according to the rigorous tenets of Marxist doctrine.Godard’s brilliant, dialectical farce, distinctly disquieting as well as gratingly funny, in which five Parisian students, members of a Maoist cell, discuss the implications of the Chinese cultural revolution, stands as a prophetic and remarkably acute analysis of the impulse behind the events of May 68.
One thing is clear: La Chinoise marked a decisive shift in Godard's approach to filmmaking. The romanticism and gentle quirkiness of the early Godard, which had contributed to his popularity, were gone, or at least downgraded, and in their place was a truculence and frenetic tendency for abstraction which gave the director much more freedom of expression, whilst making him far less accessible.
Jean-Luc Godard, who said on the sound track of a recent film, “One might almost say that to five in society today is something like living inside an enormous comic strip,” has already made a movie about the incorporation of revolutionary heroes and ideas into Pop — La Chinoise. In the narration of an earlier movie, Godard defined his field as “the present, where the future is more.
Curiously, however, it was during Godard’s period of Maoist engagement succeeding La Chinoise that he and Sartre’s biographies intersected in the most direct way. Unlike Godard, Sartre never fully identified as a “pro-Chinese” Marxist-Leninist, but his growing distance from the PCF, especially after the crushing of the Prague Spring, led him to increasingly gravitate around the.
Doug Enaa Greene and Shalon van Tine discuss Jean-Luc Godard’s 1967 film La Chinoise in its historical context. Jean-Luc Godard’s La Chinoise (1967) is not an ordinary film. On the surface, La Chinoise seems simple enough: it tells the story of French students in the 1960s who form a Maoist collective, live together, have political discussions, and eventually turn to revolutionary violence.
Films of the next decade, such as Contempt (1963), Pierre le Fou (1965), La Chinoise, and. are openly essayistic in form and less concerned with character and story than with ideas and analysis of social issues. The 15 films made from 1959 to 1967 form the main basis of his reputation as one of the late 20th-century's great filmmakers.
Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with his swiftly paced satire La Chinoise. Godard's then-wife Anne Wiazemsky plays a philosophy student who commiserates with the four members of her campus Maoist group. They are so taken by the external trappings of their cause--the posters, the Little Red Books, the by-rote.
WRITTEN AND DIRECTED BY JEAN-LUC GODARD. Petit Soldat, Contempt, Two or Three Things I Know About Her and La Chinoise, Godard would continue to push formal and aesthetic boundaries while pursuing. He continued working in the essay format as well, with King Lear (1987) being.
Jean-Luc Godard’s extraordinary debut feature, an insouciant and iconoclastic crime film that paved the way for the French New Wave.. La Chinoise La Chinoise. Drama 1967 96 mins Director: Jean-Luc Godard. Jean-Luc Godard’s acerbic and disorienting essay on the decline of Western civilisation, shot aboard the famously grounded cruise.
The Movie: The 1967 film La Chinoise marks one of the first transitions (of many) in the career of Jean-Luc Godard. A darling of the French New Wave, Godard was always known for his formal and narrative experimentation. In the baker's dozen of feature films that Godard directed leading up to La Chinoise (in a span of 7 years, no less!), he revealed himself to be a hyper-literate intellectual.
La Chinoise (1967) saw Godard at his most politically forthright so far. The film focused on a group of students and engaged with the ideas coming out of the student activist groups in contemporary France.
Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with his swiftly paced satire La Chinoise. Godard's then-wife Anne Wiazemsky.